The biggest differences between Netflix’s film and the book

Shocking for “electrical condition” to follow.

Peter Jackson has great movie adaptations like Trilogy of the “Lord of the Rings” and Tim Burton has bad movie adaptations like “Charlie and Chocolate Factory”. Then there are 50 feet crap (Brad Pitt “Moneyball” Moneyball “) and then” electrical condition “. Netflix’s $ 320 million US dollar is allegedly extravaganza, is a complete disaster, full of unnecessary revenge, writing a scenario and asks the pieces: What happened to all this money?

In normal conditions, a movie like this was just a simple fire and it would be. However, because this is the incredible book, Simon Stålenhag’s “electrical condition”. Despite the fact that Stålenhag has become a little more basic over the past few years, it is still a bad tab. This means that there will be Netflix movie for many this The actual version of this story and I just can’t leave this stand. People only m in M. Night Shraya “Last Airbender” or “Dragonball Evolution”. If they knew about the night.

If you are not completely familiar with Stålenhag, it is a Swedish digital artist with a page of full-color art, and the text of the fully colorful art. The stories usually focus on the sci-fi worlds based on alternative dates or futures based on futures and create a piece of fabric with its angry digital paintings. The collision of advanced technology, which is a decrease in insulation, society and rural landscapes, is a common challenge cards in Stålenhag, which started with the “turning tales from the loop” of 2015. Russos and their team with the “electric state” and their team completely missed the book. Let’s spleen to all the differences and why you really need to read the original work of Stålenhag.

If you do not follow the “electricity situation” and then you could read only five pages of the book, however, how wildly in the tone of the book, you did not understand how wildly. The book is a syrup in collapsing, collapsing, collapsing and virtual reality megacorp Megacorp Megacorp’s impact on the impact of the mechanized civil war. The closest basic comparison that I can think is both story, because both stories, the story, the Zombie-Esque beings in the situation of Stålenhag’s book, and the special child in the story is trying to reach the theoretical safe zone.

Netflix’s version … is not in a determined way. The war in the film was not a civil war (more in one second), there is nothing post-apocalyptic about the world, and there is none of the lonely, creeping energy that performs the art and articles of the book.

Adaptations are certainly allowed to take freedom and change the surroundings if necessary for a new environment. However, in this case, each change made mainly by the production group makes the story less interesting and more common. Russians are brutally confused against the target audience in the “electrical condition”. Sometimes it deals with bigger sci-fi ideas than the original book, but mostly shows them in favor of what I can describe them as “spy kids” vibes. If I had to choose a number, I would say this film that this film is designed for eight-year-olds that are only wild when considering the budget and the source of Russos.

Netflix’s “electrical condition” is very long for a long time that has been a long time: it’s so much inert and create a heavy racism metaphor in a children’s film where the meaning or aim. In the film, you see, people create robots like Mr. Peanuts (Yes, this Mr. Peanut). Robots are not real explained to surrender later and they require equal law. Before the war ends, the preschool Bigotry ends in the highest part of the preschool, or throwing.

I can’t emphasize the difference from what is happening in the source material (in a bad way). In the original book of Stålenhag, the United States is abolished by a second civil war, which combines two fractions using mass remote control drones. These weapons can be piloted by neurocaster headphones created by Sentre, but the war is completely human-vs.

I understand that these days will be more convenient to make a adventure for children than the second American Civil War, “the second American civil war’s depressed real-world political violations. But when the book adapts openly Damage to the damage caused by late phase capitalism, excessive impact of inspected technological corporations, ecological and industrial complex and the military-industrial complex, is afraid of throwing smooth In the trash bin for Mr. Peanuts.

The war is not the only part of the “electricity”, which is different in the Netflix film of Russos. The film also completely changes the story line associated with Michel and Skip as Millie Bobby Brown and Woody Norman played. In this version, the children become a terrible car accident that leaves his parents the dead. Christopher was declared both a horse and the dead, but secretly survived and joined the Sentre Mainframe.

Why? As can be seen, his brain is the only thing that is the Neurocaster network of the Neurocaster Neurocaster, ER. Somehow. Because he is really smart? Or something. Yes, I have nothing about it, Nothing in Zero, but Stanley Tucci wants to live in a virtual reality where his average mother and her average mother cooked the Italian dough … or something.

In the book, Skip and Michel’s mother died of medical indifference on behalf of the state – a lack of health because the use of heavy neurocaster use. Neurocaster users have a large number of references to die after leaving the network, but this is not all. By jumping himself, Neurocaster’s virtual conglomerate is expected to be imagined by joint intelligence. In other words, the shared consciousness of all users creates a kind of independent, reliable force, which can jump in a digital way and welcome Michel’s mother. Mikelle traveled across the country to find his brother’s true body to find her true body because cyber extremists can be a cunt, and he has to remove him from the continent. This is wild, yes, but it is deeply justified in the main topics of the book: a public abandoned by digital addiction, religious extremism and both federal and corporate items.

“If the electric state” has matured to adapt to the screen and is better done, you don’t have to look away to see what can be seen. In 2020, Prime Video, Stålenhag’s first book, published an eight-ending vibrant operational flow series adapting “Tales from the loop”. This show is a quiet, bright, visually surprising interpretation of the source material that maintains the dominated topics and energy.

The “electric state” is a higher concept and a larger budget would be necessary, implies a functioning film version. In the end, a very small amount of text – Queerness (yes, gay in the book of Michel), conversion therapy (never), and a lot of medium America’s thinking), and a large number of books about the decline in the capitalist landscape. In the description of the small town neurocaster dependence, the opioid epidemic also pointed out the evil of corporate greed with similar traffic lights. This bright, amazing Cyberpunk Odyssey and this could be a deep resonant film for our current political moment.

Instead, we received “Sharkboy and Lavagirlin’s adventures”, “Sharkboy and Lavagirlin” in a bad wig of the star Lord (Yep, Yep, Yep, We Attract Chris Pratt Now). This may not be the worst or least loyal adaptation ever made so far, but when you take into account the strength and potential of the source material, it must be close to the top. And Brian Cox really needs to know how much they paid to sound this baseball robot.

“Electric State” is now streaming over Netflix but if crystal is not clear, I fully recommend Instead of checking the original book.