Figueira also asked the Chamber of Foz, who asked the colonial heritage of the facilities exposed to the city museum, but the mayor Pedro Santan Lopses said.
Heard by the initiative taking place by LUSA Agency Face the colonial legacy in the museumOn Wednesday, in Santos Rocha Municipal Museum, Santos Rocha Municipal Museum was openly announced in the Municipal Museum, which came from the previous local mandate and did not agree with the approaches on the decipitations on the decipherence.
Artistic interference in the Transmat Project and “Decolonary Museums and Colonial Collections: This Friday ends on the coast of Coimbra and there is no element of the executor,” for decolonary museums and methods. “
“It was decided before me, and I will not go at the risk of making a new case. I do not like, I should not like the content of all the conversations made in the fig tree,” he said. Santana Lopes referred to In 1992 to the controversy that the book was insulted by the veto Bible according to Jesus Christ, decision At that time, the Secretary of State prevents Antonio Sousa Lara, Portuguese writer for the European literary award.
Municipality “does not prohibit”
“Finally, the fig tree is the land of Female, but forbidden, but no one has to pay ourselves, but we did not respect ourselves to ourselves ourselves ourselves.”
Art Installation, Santos Rocha Museum’s Ethnography Room, since 2014, bodies, statues and other pieces of Angola and Timor were presented by Military João Jardim in 1903.
The original exhibition, in Portugal and English, clung to the windows, so far there are small texts related to the servicemen in some of the other information, and in 1902 there are small texts in the war in 1902.
A special light is created and it reduces an objective that seems directly from these and existing phrases and collages of pieces, and the assumed by preachers. The organization has the opportunity to use the ideas of visitors directly to the window glass, the opportunity to use white markers.
Lusa agency, Elisabete Pereira, Elisabete Pereira, Elisabete Pereire and Transmatural Transmatural Transmati project coordinator and the colonial period between the 1850 and 1930s, the Museum of Archeology (Lisbon) said the choice of new data was highlighted.
The installation option asked the Municipal Museum to shatter the function – as messages coincided with their objects
“They may seem to have a tone of this layer, but we have added more visibility to this layer. We want to note this new information, but everyone will see the objects,” he said.
There are three statues from Angola in the central showcase of the ethnography room. Part of the original data, this is the founder of the museum, by Santos Rocha, like the God of war, “Although not in a threat” statue.
In this facility, artistic installation, the investigation of small text colleges in front of the operating in the Transmate project, a soldier in front of the room, which is a soldier in a year later, a sergeant, a year after a year, a work to gift to the museum after a year
Although the intervention and the methodology used, especially used, caused concern among the technical and employees of the municipal museum, he told Luza.
Museum, dialogue area
Architect Miguel Figueira is responsible for the design of the installation Developers José Alberggaria and Chantal de la Coste, the co-authored, assumed to cause the visitors to concern the visitors and cause shocks and reactions to the dialogue.
“We said that we could not show any of the on-screen facilities, the window glass, a number of information and the people that we have interrelated and the people who travel to us and visit us at the conference.
“The museum must accept the field of dialogue and eventually accept us, which reflects us and are not the easiest,” he said.
Some statements that pose in the demonstrations of lawyers reflect the suspicions reflecting the statements of the sentences, as found in the inquiries of the investigation, as revealed in the investigation, as revealed in Lusada. “We intend to expose, share these doubts and open them and open them to the visitor,” Miguel Figueira said.
“It is preserved today, this is also preserved today, because this is the place of protection today, this is today, this is this, this, this is, this should be inside the museum.”
Manuela Silva, who was heard by LUSA on the outskirts of the international conference, Museum Municipality department, Municipality and coordinator Elisabete Pereira, the entity’s colonial conflict research interference, co-operation and communities should be opened in cooperation and communities.
In the current exhibition, a setup asked the museum to reduce its function, responded to the “opposite opposite”.
“I think it expands our mission. This was the opportunity to have the opinion of our vision every time by people working in the museum,” Manuela Silva.
According to him, a show said that the Santos Rocha Municipal Museum has three different sizes, thirds we participate in three different sizes and the museum and museum team.
