After twenty-five years of premiere, which began to worship Macabre around the heading death, with the type of power on Thursday (15), which can only offer a good magical family tree. “Blood gardens, the sixth chapter of the saga, does not try to rediscover the wheel – he is waiting for a sad smile to see where he will hit. And the best: sensible.
Director Zach Lipovsky and Adam B. Stein, the film, he receives a classic concept of cinema and chain reaction, but now in unexpected freshness. During the “high terrorist” period, which is converted to a great bodies of psychological trauma and mourning, “Title” opens for a joyful turn for absurd. There is no deep bottom or existential metaphor: here, how much it is important to survive the deadly gear fate.
The opening presented its tone: 1960s, a young girl named Iris (with eyed eyes), the future is preparing for a romantic restaurant in the panoramic restaurant. When Isley Brothers collects “screaming” objects in the background, the audience already knows: something will be broken. But it takes time to taste the disaster that surprised the movie. There is beauty before chaos – and everything hurts a little more.
The script builds a narrative line back to the cursed origin. IRI is not just another failed vision: the starting point of a generation marked by the oppression of death. Stephanie, who played with chronic fatigue by decades, granddaughter, Kaitlyn Santa Juana, begins to spend the same part. From there, the film is an alternative between choreographic fear and family verses that expand the franchise mythology without compulsory.
“Blood gardens” changes the past of the series in a part of the narrative. Nothing is free, even the return of classic objects – ceiling fans, buses, assembled wood – once served as deadly traps. The inheritance of the production is playing with itself, repeating the icons and even presents a sign of a good nostalgia.
Deaths remain the main performance. Buster Keaton and Rube Goldberg, the fate of fate in a non-impossible confusion between gardening tools and magnetic resonances. Everything is choreographic with a comic time bordering almost sensitive – if we do not talk about the incisions and bones as popcorn. Still a lot of fun to get away.
How to ignore Tony Todd’s last appearance? Eternal Bludworth comes with silent but touching screws, as if Franchise itself has passed this time and he knows with him and his character. Its improvisation monologue, deep, never a movie that never wants to cry us is the most melancholy point. But he did it.
Opinion
“Previb 6: Blood Gardens” can not change the course of modern terrorism, but many other restarters have failed, respectively: He respects its essence. And in this case, the essence is simple and fatal: no one runs death – but you can laugh before it comes.
See Tralier:
Technical document
Direction: Adam Stein, Zach Lipovski;
Roadmap: Lori Evans Taylor, Guy Busick;
List: Kaitlyn Santa Juana, Teo Bries, Richard Harmon, Owen Patrick Joyner, Anna Lore, Rya Kihlstedt, Brec Bassinger E Tony Todd;
Gender: Terror;
Duration: 110 minutes;
Distribution: Warner Bros. Pictures;
Indicator Classification: 18 years;
Watched the press lounge in the invitation of Espaço Z
