The debut features of the Panama International Film Festival (IFF PANAMA), Félix Trillo Guardia “The Wizard: Julio Zachrisson” celebrates the provocative heritage of Panamian artist Julio Zachrisson.
Thomas Cortés by Thomas Cortés, with the support of the Melds animation, archive images, archive images, archive images and chronicle guardianship of the Panama, the archives and chronicle guardians are given by the childhood memories of Zachrisson’s pace.
“For the first time I saw one of Zachrisso’s footprints, I thought it was the most ugly thing that has ever created. Hang up in the elegant living room, the rest of the piece collided with the rest of the piece.” In his statement, the guardians were explained. “A hungry dog described the graphics view of a woman who defecates on a plate while watching him. I was 12 and I will never forget the effect of me.”
The documentary tracks are watching in Madrid traveling by searching the artist. The films described in the film offer friendship, “memory, history, as a bridge between the bridge between the person and the bridge between the art,” he reads.
“The art is useless but we can’t live without it.” A quote from the artist burns on the screen inside the tizer, called a kitchen rhythm. Rich in job images, exaggerated human forms, expressions and irreal, but rich in a narrative that each explains. In 1953, it describes how a freak was considered in his native Panama to never return.
Zachrisson was born in the house of Madrid in December 2021. “His death celebrated a turning point in the production of the film, and revealed us to reconsider the narrative. We realized that the most important thing was to pay tribute to the life and work,” he said.
“Wizard: Julio Zachrisson” is a part of an ambitious Transmedia Initiative, “Zachrisson’s legacy” is aimed at maintaining and strengthening the effect on various platforms. The project includes “Toro Volandero”, which is inspired by the Graphic University of Zachrisson, which is planned to be released in 2026 in Panama, and also familiar with the comprehensive digital archive of the works of the works of Zachrisson. Since 2016, Zachrisson reflects a interest in the artist who associates the cinema, other than to capture Abrisson for Zachrisson “Zachrisson.
“I want the followers when I first come across, I want them to feel the same shock and admiration,” he said. “I want them to question your perceptions and dare to see outside the surface.”
