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John Dowland’s Lute and Holbein Ambassadors.

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John Dowland’s Lute and Holbein Ambassadors.


Hans Holbein, “Ambassadors.” Taken from Wikimedia Commons.

A bright lute for Holbein’s painting. A string is broken by pointing out in the conflict between Catholic and Protestant believers. These wars would die five million. Then a generation, the most famous LuTenist in history, could not get a job in the Queen Elizabeth court. When I was a young man like Dowland, I played the music in restaurants for $ 25 one night. The rich “Queen Elizabeth’s Callidd” and “Lady Hundson’s is a background music for riches. Dowrimae’s” Fantasia # 7 “is a strong beam of music. Do you know that they are witnessing the birth of the Renaissance Courts, in these Renaissance.

I imagine a party in a party during the Renaissance. Neighbors open a book from Dowland’s songs: “come again, sweet love.” I’m a lute, the most popular instrument of the day. Others sing together in increasing notes: “See, touch, die.” (In Renaissance poetry and the song in the song means small death and orgasm.) A skull is under Lot in Holbein’s drawing. This is a strangely lute form that has a strange lute that makes it just a skull when the painting is most right. Death Love Lute Catholic sex Melancholy Dowland, body, sounds, dances, often responding to the environment of the streets often develops a lot of time. . . Some of them wrote down, pass in handovers. If you hear or try to play today, you should sound spontaneously for free. I didn’t train like I played once I didn’t exercise. That’s what to learn to play Dowland. You need to learn how to “see, touch, die”. “

The skull on the rightest side of painting, Holbein’s “ambassadors”. ” From Wikimedia Commons.

Click to hear John Dowland’s Lachrimae for Solo Lute here. Lutenist Tuomas to the calula.

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