Bring him home again: Now Jazz Bulger, who lives in Switzerland, will remember a 30-year democracy in South Africa. Photo: Jacqui van Staden
Kesivan Naidoo is one of the most appreciated jazz musicians from the descendants. A momentary warning is the belongings of the Master Proofing Person, which can pass all the intensity from Leid Grovove.
Miriam Moveba, Bheki Mseleku, Winston Mankunku, Abdullah Ibrahim and Louis Moholo-Moholo shared adult cheeses. And he did everything without winning the Standard Bank young artist award to play the show sold at the historic Carnegie Hall in New York.
He was born on the tail end of the seventies, Naidanoo, played with Jazz Quintet on the Internet, the 14-year-old stage debut at the Hogsback Art Festival in the Eastern Cape.
This was a year ago in 1993 a year ago, so the story of the Naidoo music journey, therefore, if it was not always fair, while there was no fair.
Now in Switzerland, Naidanoo has created a show to remember the 30th anniversary of Democracy, and quickly performed it in Basel. Now, in May, Prince Albert brings home with a number of performances starting at the Music Festival for Jazz.
The establishment of this play began when the Eye Jazz Club on the Bazel’s Eye Jazz Club was approached by the treatment of a concert in the memory of 30 years in South Africa. He was a chance to expand a business body developed in 2014 for the 20th anniversary of 20th democracy, which hosted in cooperation with the Museum, Naidoo.
“At this point there was not much budget, so I contacted other Swiss-based musicians to make these first performances,” he said.
Basel has provided a fertile ground for cooperation with a live international music scene and well-known jazz school.
“The musician from all over the world in Switzerland has a lot of musicians. Some are like myself, we will stay here.”
This global mixture collected the accumulated ensemble. However, before diving his works, Naidoo group presented the roots of the South African jazz.
“We’ve HOTEP Galeta, Bheki Mseleku, Miriam Makeba,” he says. “I wanted to feel our music, let them understand how it works.”
The performances were electric. All four concerts, spectators, even experienced Basel responded in the surprising ways. “People danced. We’ve got constant rubbish after each set,” said Naidoo. “The place was the first time he saw something like this. But for me it is normal in South Africa.”
This energy, which is in a deep connection between South African music and dance, is the main part of the Naidoon’s music philosophy. “Although we sang ink music, I say to the group: ‘Do not forget about the dance. Our music is going through the movement.'”
Naidanoo, recommended by South Africans in the audiences, was time to bring the show house.
To allow for the opportunity, at least half of the band will be South African, the famous pianist Bokani Dyer and Trumpeter Darren English, as well as the recipients of the reputable standard bank for the Jazz Award, but also Naidoo.
Switzerland is an international condition, creating a fusion reflecting the global journey of the project and develops the ensemble.
The first South African performance, festival directors Kyle Shepherd and Brenda Sisane, as well as the Swiss Sponsorship, as well as the possible Pivotal Agency will take place on the journey to Jazz.
“Travel to Jazz, the cuts and lights are preMyered this configuration. This is a special thing because it is a group of different musicians.”
As a bonus, Naidoo will rejoin with the Seminal Group Tribe, which does not fulfill with years: “It feels like the time needed to bring the tribe. Play together again.”
Cazivan and lights will continue to deliver commemoration performance in Cape Town, Durban and Johannesburg. However, the project does not end with live performances. Naidoo plans to record music and not only the spirit of music, but also a documentary between historical migration, artistic exchange and mutual support South Africa and Switzerland.
“During the apartheid, Switzerland was a shelter for many South African artists in exile like Mseleku,” said Naidoo. “I completely said that there is a rich date.
“Sometimes, when you are immersed, you start to see the beauty more clearly when you leave a space,” Naidoo. “When I live in South Africa, I always thought it could be better than how things could be better. But he gave me a new perspective on how special we are like a nation.”
His music is gratitude for this realization for the country’s diversity, sustainability and cultural wealth. Although now, Naidanoo is proud of South Africa, as an ambassador as an ambassador.
“If I could live at home, I would be home. It’s a beautiful country. But I feel privileged to represent him through my music.”
The upcoming performance is also a deep individual. The closure of Naidoo to South Africa’s history is rooted in its family inherit. Aunt Theresa Suleyman Cape Town was the first black mayor. Grandma’s brother Marcus Suleyman arrested a decade on Robben.
“I was born in this political consciousness. As a child, I thought he wanted to fight for freedom.”
After the release of this consciousness Nelson Mandela, Naidoo’s music, which is the first speech, which includes the music of Naidoo – Cape Town by City Hall noted him. “I hope you are in our tears, and I hope for the future, I hope for the future,” he remembers.
“At this moment, it was the moment of the birth of the rainbow nation.”
Nevertheless Naidoo is aware of the complexities in freedom.
“The words of Mandela’s liability for our freedom are still relevant today. We may be critical, but we should not forget that our democracy requires care and effort.”
It is an invitation to reflect his composition; Lecture, not remind. “We must remember where we go and where we go. I believe we can be better than we imagine, but we have to get together.”
Naidoo Negotiations on unity, resilience and freedom, the music aims to see conversations related to the sustainable follow-up: “Music is to message and feel. There is a rhythm that even connects people.
While democracy is inherited, it is a live, breathless journey, which is formed, to remember, respect, respect, respect, respect, respect and something for something. For Naidoo, it’s more than just music. It is about to combine cultures, respect and share the rhythms of South Africa with the world.
If it’s something to make a party in Basel, it promises unforgettable returning home.
