Dan Berk and Robert Olsen ’80’s movies, “midnight escape”, “Deadly weapon” and “Deadly Weapons” and “Dying” and “Dying”. When a high concept called “Novocaine” was forced to save the love of a mentally designed person named Nate – a moderate man who was a moderate man. But they were eager to add pathos that load their humor and favorites.
“There was something about the movies they are very funny, but they do not lose their share,” he says. “They do not care about the characters that are not such a comedy. There are the protests you know.”
Fortunately, the 2019 horror comedy wrote films such as Villains and 2022 Sci-Fi visit and the director was able to add a levil to “significant other” and Olsen.
“It was the need to be a mixture because if you did not allow the audience to laugh, it may be a grace,” Olsen says. “It can be tortured, there may be a lot. We always say that pain can feel and weep for his mother Giovanni Ribisi ‘Saving Private Rayan’ Every time you were injured you wouldn’t want to watch it. It allows you to feel herself and a kind of vocabulary, a member of the audience, which is accompanied by a very joker, or immediately. “
The film of gumbirds of the film and the challenging tone of Comedy was seen in Nate’s shoulders, and Jack Quaid, which previously impressed as a perfect lead. Berk and Ols, who watched his performance in the “Boys” series in the criminal Super Hero series, saw an energy in the performance of his generation Tom Hanks. It took a non-traditional skill set to perfect the role.
“Jack should have to punch his brain and rebuilt his brain to avoid whipping.” “When you have the actor all your life, you have to sell and punch, you’ll jump, you sell pain. Our stunt coordinator, our stunt coordinator, Stunt coordinator, Stinimir Stamatov’s own work to escape.”
Although Nate’s ability to feel pain, Berk and Olsen were attentive to ensure that the interior logic of the film is based on how much the situation has increased.
“He is not a superhero, and we would be freedom with how much the human body could push.” “Every moving movie, but we wanted to stay in a semi-incredible world inside the rule of the film. Thus, we did not want to have a lot of stroke in the movie, and many of the film did it. We did not want to have a potato puree.”
Another element that maintains the movement from becoming a very grim, because Nate was the love story in the heart of Nate, it takes to get rid of the joy of joy (amber midwife).
“We think that many people will be pleasantly surprised by how we want you to feel better about mankind from this film,” he said. “We want to sneak with you. It’s just shocks and blood and blood and all of this, because our films have favorable and bluff options and try to make them really.”
“Our movies are entertaining and have a positive vibe under them,” Olsen adds. “Many of them are exploring love and friendship and such things. We have some exploration of this in general.”
As a result, Berk and Olsen were able to prepare the needy on the ambitious “Novocaine” and the audience hugs the film, and the audience grew into the world in a set of ultribal films in the world.
“It was an explosion, so we will be completely back and look back into this world,” he says. “This was the most incredible movie set of movie we went, and this can be the most entertaining place in the world. You can have the most entertaining place in the world.
Director Robert Olson, Left, Jack Quid and Director Dan Berk in Novocaine.
Marcos Cruz / Paramount Pictures
