Elegance Bratton, an international premiere on documentary “either the birth of the body: the birth of the house”, said that the Thessaloniki documentary festival is an international premiere Diversity The relevance of home music in the American of Trump and the role of a vulnerable Wahlberg and Yahya Abdul-Mateen about his feelings as prepared to strike criminal trilles.
For the first time, “Pier Children” and chosen as a Bratton and one that broke the first with drama drama Diversity10 director to watch in 2023, there is an individual contact with home music for strengthening it as a gay young man. When they grow up, it was insulted. “He had less effective to all this pressure,” he says. As part of his family and community, “they can ignite”, “they said,” they said, “he said,” he said. Then, in the TV, the New York Nightclub, which is “more flaming since then,” he said in Clubgoers in Clubgoers. The club went to him and said, “It was wild, because it became insulted, as you were strong, and people were really charming against you, and people were tempting to you.”
This was the Ross Ross Williams, which offers a documentary about Hillary Clinton’s homeland, Hillary Clinton, which is developed by Hillary Clinton’s hidden light of Hillary Clinton, Oscar Roger. “I waited for a minute, wait a minute, Hillary Clinton loves home music? ‘He was something that he didn’t know,” said Bratton. “And he probably likes Chicago and home music. So just wondered me.”
The film, the world premiere at the Sundance Film Festival, is produced by Chester Algernal Gordon. Manufacturing companies Ross Williams’ are a story, hidden light, Los Angeles Media Foundation and impact partners.
When Diversity Only Bratton announced that it was connected to the project, a different title, “night disco died” and a different focus on Chicago Disko Demolition night in Komago Park in Chicago. DJ Steve Dahl called on the day to bring disco fans to the stadium, and they were put into a dump and blasted Smithereens in the blast. It caused a riot by white young people, and in nature is widely seen as a racist and homophobic.
“Move the body: the birth of the house”
The courtesy of a story, hidden light
During Bratton’s research and the main reason for his decision, in 1984, in 1984, in 1984, the first home record in 1984, found that Jesse Saunders will be seen as the first home record. Bratton, Lawrence’s story is “inspiring”.
The riot in the Komisey Park was an attempt to deact all black music, Bratton will never succeed in the disco and “on” and “on” and “on” black dance music. I think it’s really inspiring during the times we live. When I looked at the Disco demolition, I remembered that we were at the moment and we were like many people, and I felt weak in front of him. You are watching, most of Americans, most of them are most of them recognize the idea of ​​their justice and civil rights and a concept … I want to say. It’s like the Nazis. They prohibit the books and try to eliminate words from words and how they can teach universities to universities. They go away from free speech, so color and queer people and women can never be the right to protest what they are done.
“I look at the story of Vince Lawrence and say,” Woe, this is proof, if you continue to your dreams like Vince, you have a probability that you can create something that can change the world for better. And I wanted to spread this message to the cinema society. “
Since he took a documentary, he knew that there were many other projects on the same issue, so he knew that he had to differentiate his film from others. He also knew that the house community was exhausted by the “discovery of disco” and did not want to tune my film in clubs like a warehouse. “This black joy and this black creativity would not want to express only white hatred. More complicated than that. Therefore, the ‘night disco died’, calling the movie, centralizing the wrong people. I wanted to centralize people who create home music, not people who create hate. ”
The film is not about him, but the story of Lawrence’s story is the center thread that passes through the film. Bratton said that something wanted something “and something woke up in a person,” Bratton said. Adds: “I believe that every man is a history of life, that they sit and ask a person to a life story that they live in great historical events.”
It adds that the history of the house focuses on the history of the house “I want to pay attention to a black life and show the audience that no matter what this man said about it. There is more agency.”
Of course, the Lourma joined the main points in this history, and in fact, Lawrence says the “Home Forrest Gump”.
Another main character in the film, home music artist Rachael Cain is also known as Screamin ‘Rachael. Impesario Larry Sherman married TRAX records. The music label of the house, the black artists with music could not compensate enough. Shermani divorced Sherman, Cain has rights to a large number of pioneering home paths.
Bratton emphasizes that the film is Sherman, “villain”. “I love Rachael Cainy,” says. He claimed that he was the “queen of the house”, saying the story of the film “Great than the life figure”. Bratton says one of his favorite directors is one of the John Waters and compares the role of Divile’s film in Waters movies. “I saw it just charismatic and interesting and there is a certain star quality about him,” he says.
The film serves to describe a wider narrative. “I wanted to talk about systemic truths that provide their contributions to black joy, home creation, the creation of the house and the pioneers of the house,” he says. “Rachael is the benefit of this systemic racism.”
He added: “If you are a kind of black child, which is allocated to the south side of the city, and you want to sacrifice your music, then there is a money to be sacrificed. was to lose their rights. ”
Another element of the film is to recognize the contribution of the Black Queer community in the development of home music. Bratton says that “in this culture wars, the religious right of the fanology”, on the one hand, “one-time” and “meaningless” and “meaningless” and “meaningless”. “It’s just a bunch of irresponsible man dancing and having a good time and makes drugs and sexually, and it’s just insignificant.” On the other hand, “White people lose their strength”, because black and gay people will be able to have a culture in the first place. ” Adds: “I grew up in such a fat middle zone at one end, where I completely dismissed, on the other hand, I feel hostile and fear.”
Added: “When you choose to dance with someone different from you, I have to confirm the importance of going to each other for a new generation, because the distribution and homophobia will not allow us to turn us into silent people.”
According to Bratton, he said, “It is close to my heart,” according to a story, “in no way.” “A man in the 1960s, a man in the name of Vernon Dahmer, the Black Peoples of the Hattiesburg could vote for black peoples, and the Klan. “And this is about my film – this is the moment of the ftb, by the location of the FBI, the film, ‘By any means’, the black FBI agent, which partnered the crime with this hitman. I found Mark Wahlberg, who played Greg and playing the FBI agent Yahya Abdul-Mateen has. “
Adds, “I just realize that the black life and black struggle and black victory and black victory are tired of those who don’t get enough of the joy. But it’s not a real joy. It’s not a real joy. It’s not a real joy. It’s not a real joy.
“‘It is a triller with any means of a civilian rights. I have so surprises between the film and the mafia movie. You can. If you do it, you make the systems adapt to you. I think young people are the kind of classes that need to own, and this is a fun and exciting film. This is not your MAMAM’s civil rights film. “
