Flying Lotus’ Ashes’ Ashin ‘Ashin “Theaters opened Friday, Rlje Movies and Vibration, Eizza González, Eiza González), Eiza González (Eiza González) is a psychic coscessey. Tensions increase when Aaron Paul is a mysterious astronaut played. Duo goes to paranoia and panic because they can avoid fatal power and how dangerous planets.
Flying Lotus, a prestigious electronic musician and producer, spoke of a prestigious electronic musician, when the film Diversity About the inspiration for Sophomore feature, how “Sushigiz” formed the visuals, and why González was at a perfect point in his career in the film.
Did this project seize your imagination for the first time?
There were several fake startings with projects in XYZ. We tried to get something for a long time. They would send me some material and often this would not be right. Basically he was because I could not find what I could bring. Why am I? You can get any people directly from the movie school to make Slasher movie. When “Ash” reads “No, no, it need I or anything else is put in the wrong hands and then it will not be good for anyone. “It’s been one of what it didn’t feel in advance. The Bible. It has been more than a year before I want to change the consumption and Reimagine and change Reimagine.
Your star, Eiza González, lifts most of the film as heavy as solo lead. When we met or met with him, you had a momentary performance, you knew it would be an excellent match for the material?
I just knew that he would work outside the door, according to the type of person. I felt like it was at this point in his career, he looked like a character: there is something to prove and trying to live here. This role had to bring a large number of identities and carried this film, just burned and should be severe and caring. I saw his work, and I saw what he was able. When we started talking, he talked to me about “Silent Hill” and out of the gate. I said, “Yep, that’s what I think. We see the same. I think we have to do it.”
The other star of the show is a visual language – colors and lights are very dynamic. How did you first talk to DP on how you want the movie?
View and Vibe eventually started with a psychic film. I was really “my silent”. Now, “Sushikili” this result was a great inspiration because we will take a large number of restrictions. I knew that there was no big budget. But I wanted to travel less with Sci-Fi, not the Apple store, not the Apple store, which I have any light. I wanted to do and do something a little different. Also, I am a great fan of music videos from the Nations such as the early 2000s, Michel Gondry and Chris Cunningham. All this is still very inspiring and this period, like Jean-Pierre Jeunet, from the “City of Lost Children.” These movies with super powerful color prices. Also, in Panos, he is my friend and we will always hit him and take his brain and complain about the process, “will my friend, always be in this way?” Yes, it was very nice of it to be like bright lights in this work of his and other experienced friends. There was Neill Blomkamp as an executive producer. He was always the one I was shot when he was “Gran Turismo”. It was a super helper to connect me with some people and giving a little sage when necessary.
How did you look at the gore in the movie first?
When we spend a lot of time before maturing, I was able to bring together the strong appearance book and reference points of what I like. I was very lucky to work with these great artists. Before the start, they were only “badly dead”. Thus, they were “Yes, man, you were like a blood bucket.” They were super proud with their work. I said, “Let’s do better, bro. Come!” Simply with people who are so fair: “The owner of the rings”, “Avatar” veterans worked on this project and made it super fun and easier.
You also hit the film. When do you start conceptualizing music for the Directing Project?
I started writing music after gigged. I knew exactly what I wanted to be. I knew exactly what I wanted to make sound like. And then none did none work when entering the edit room. I thought, “Oh … That’s why we need to do it again. Well, cool.” I had this great idea, but when it came down to it was not just a movie shown. It’s a cool thing when the movie starts listening. You should see what you received and think, “Ok, it’s not, so I can adapt and do things you need.”
How was the original account different?
I want to say you very bad, but I want to keep it for another day. Simply say as a reference point, Davis feels like “Bitches Brew” with Sci-Fi.
What advice would you advise the directors hoping to create their vision in a low budget in a limited budget?
Fight for everything you love and want and listen to people around you at the same time. Get ready to get advice, get feedback. Find the best project from your restrictions. I think it’s really the call to the director who managed to adapt. When you know the real ones that are fake. Every day you will have to compromise a little compromise, so you have the opportunity to compromise creatively and go around.
Would you see yourself to stay in the world of genre for future film boots or to go to a different direction in a radical way? Can we see a flylo rom-com one day?
I will not say anything for nothing. I do not want to put myself in my box here, but I think I prefer to stay where I can bring things to the project. I don’t want to do anything from someone else’s concepts or to another franchise and don’t want to make another franchise I can’t be free to play and make my job. Although there are small projects, I think I think I focus on my thoughts and the world.
Do you hope to focus on the next or movie drawing music or both mixes so much for you?
I’ve always been in a chair to make music, the chair I’m sitting, the chairman of the music I have prepared music, so it will be there. If the right thing happens, I would like to take another movie soon but definitely I’m not hurting him. Birthset is still fresh.
See the “Ash” trailer below.
