Gemma Blasco debuts with the Spanish drama Fury, who is a tale of a young woman trying to cope with a traumatic experience and finding a channel for anger on stage.
“Anger” Inspools in the Southwest south in the Southwest in the Southwest, on Wednesday, in the competition at the Malaga Film Festival.
Written by Blasco and Eva Pauné, a young woman trying to connect with a violent attack on the violent attack on the New Year’s Eve party, Alex, Alex is watching Alex. In the process, he finds a very needy speech on stage, Medea’s revenge ‘Greek tragedy production. He is also looking for comfort in his brother Adrian, àlex monner (“next leather”), just consuming anger, and to see a thirst for revenge.
Ángela servantes and “anger” in àlex monner
Filmax / Malaga Film Festival
To make “rage” for Blasco, the same type of state described in the film offered a similar process to process the fierce experience.
“‘Angry’ came from the consequences of sexual violence, the more darkness and more vision came from the desire to offer a vision. I was sexually harassed and started learning a film shortly.” Diversity.
“One day I didn’t understand this a long time, I would make this movie, because I and I wanted to see a representation of a dirty and gittier that I felt inside and sugar.
“Beacon”, the Greek tragedy, the Greek tragedy, the film, as the protagonist of the film is the same as the film’s director. ”
Blasco says the film “uses the elements of toxic elements, men’s elements, the nature of the person has discovered more than the elements of manhood.
“It’s related to both things,” said Blasco. “On the one hand, I wanted to see what will happen in two different ways of this trauma: a woman, one of the victims, but the other is not the victim.
“In some way, it was also trained to meet the gender mandates or generations, sensitivity and anger, angry and anger. We are also trained to us to look for our autonomy.
“As a man, I reject him and paralyze me.
Indeed, on that journey, Alex covers the actions of the wilds of savagery, no restrictions. He examined the stage as a channel as an emotional release meaning for the director.
“I think I can work with any art form that something is in the concept of actors and the concept of acting in the actor.
“I don’t like the concept of use as a kind of therapy. Don’t ask them. If they come from them, or it is something that comes out of this way. You said so deep.”
To make a modern tragedy, no surprise Blasco did not become the topics that characterize Medea and the Greek tragedies.
“In addition to the darkness of the darkness, but also in the emotional perspective, but also in the emotional state of emotional and emotional situations and emotional situations and emotional situations, I am interested in entering the universality of the tragedy.
“This idea is that the idea of this opinion, the idea of exploring the fantasy, and from there, real life, as the society is developing a sense, and from there, real life.”
In carrying out difficult and ambitious work, BLASCO, found the ideal actress in servantes.
“Ángela was just great! I am lucky to be friends with him since I am 11 years old, so I don’t watch him when I see an amateur theater because he is such an incredible actor because he was my friend.
“I knew that I have been talented for many years and know that I know I wanted the scenario as a hero. It is useful to know each other, and that we can be there and therefore can deepen.
“It’s both physically and mentally and mentally and in the pool, there is all the generosity in the pool. He also had a peculiarity.
Fury, produced by Barcelona Basic Media and RM Pelica Aie in Torrevelilla, announced the film in Spanish theaters on March 28, is sold at the international level.
