Oscar’s candidate Raul Peck exploded Trump management at the Joburg Film Festival on Wednesday, the millions of people in the world were in the mercy of “crazy people.”
“We are in the same way that Hitler’s ‘Mein Kampf’ wrote in the same way,” Mein Campf “is a group of crazy people who are completely written in 2025.” All he was there to read and everyone was there. No, they apply what they say.
“That’s the question … What will we do (in response)?” added. “We cannot tweet our way out of this.”
Haiti director, the removal of the USAID, and the demolition of the Trans-Atlantic Alliance and the trump was created by such institutions to protect the US interests, “the construction of the construction is divided,” he said.
“We are in a world-changed world,” he said. “What does it do, sometimes with incredible ignorance, it intends to change the lives of many people on this planet.”
Peck was talking Diversity Marterklass at the Festival at the Festival at the Festival at the Festival at the Festival, “Ernest Cole: lost and found,” the portrait of the groundbreaking photographer who attacked South Africa under the last film.
Rousing, during the free wheelchair, Haitian director, Oscar’s candidate for “I’m not Negro” set the tone of the candidate, his wife and career to work as a director as a director.
“I felt a liaison of my stories like a little island, like a little island, which always changed the history of the world,” he said, Haiti opened the West’s Western expansion, and his contribution to Haiti’s independence efforts and its main role
In 1961, his family moved to the first independent Congo Republic, which was recruited after the reconstruction of the country’s professionals after the reconstruction of professionals from the reconstruction of professionals. Father, angronomy, first Prime Minister Patrice Lumumba’nın First Prime Minister Patrice’s 2000’s 2000 political thriller inspired Lumumba and doctors ‘Lumumba’ inspired.
Due to the deadly dictatorship of Francois Duvalier, Peck, New York and France, New York and France, studied in the PEC before reading a film at the Television Academy in West Berlin. This was “true political education, among the members of the Iranian Communists, Chilean Revolutionaries, South African National Congress (ANC).
“I came to make a film through politics,” he said. “To be regularly, education, where we started, in the world where we live in the world, it was a tool for us to get acquainted with a means we live in the village where we live in the country.
“That’s where we learn that everything is political.” “There’s nothing like doing something neutral. Your neutrality is a political action.”
“Ernest Cole: lost and found,” Joburg opened the film festival.
Courtesy of the Cannes Film Festival
“Ernest Cole: lost and found,” last year, shared the award for the best documentary in the Cannes Film Festival, and the first daily life in the late 1950s is followed by Cole’s career and life. After escaping South Africa, he came to New York in 1966, here the “Baost house”, the amazing account of life under the racist apartheid regime, published a book of bondage.
This book struggled to revive a popular figure in the world of photography, in New York to revive exile, isolation and depression. “Lost and found” in a glitter review DiversityOwen Gleiber, “I’m Negro” “I’m not Negro”, “I’m not Negro”, “I’m not Negro,” he said, “I want to be black with Melancholi,” the black artist’s penetration portrait “.
Speaking in Johannesburg, Peck offered its reflection about working as a black director, “a battle you need to get wages without fear of losing everything.”
“I am a part of the generation – Spike Lee – I decided not to be accepted from the movie school and whose industry is accepted.” “You are fighting to make any movie fighting for each movie’s main faith or what is fighting for.
“There is a price for payment and you need to survive your restrictions and industry – in an industry, as a black man, as a black man, although you can work perfectly without you,” the illusion of work has changed over the years, “he said.
Peck noted that black directors and actors are more opportunities in the industry today – due to the rapid growth of partial flow platforms – “We do not say anything to the power of power.”
“The war is worse than 20 years ago today,” he said. “#Metoo movement, black life, the cause” Many black manners, which are partially raised on the power of these actions, “the majority of the posts. “
Meanwhile, the director predicted the second Trump presidency “industry will be violent.”
“I am very pessimist where we are, now we will not decide to use the disorder to build something else,” he said. “Because they are so busy by separating the desire they do not seek what we do. There is a small window where many things are possible.”
The Joburg Film Festival is March 11-16.
