Cinema Bong joon-ho proved that one was criticism solvent Social Structurespower and survival in contexts (not) extreme and Mickey 17The most recent movie is no exception.
On a roman Mickey 7, one Edward Ashtonis immersed in the tape Science fiction With the same sharpness Parasites broke the class struggle.
However, the director of South Korea leads to the reflection of the land that is worried about this occasion: eptrotación In a system that evaluates an individual productivity over the life.
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Side novel It is worried about himself. In the future, there is a reality of the space colonization, missions are “spent” and prepared individuals To perform the most dangerous tasks, Die in the process and replace themselves with almost the same copy. Mickey, played Robert Pattinson, One of them.
Throughout the story, according to luck, the hero begins to question the place in this infinite period and the resurrection, which leads to the system that created it.
Bong joon-ho Set up this world with the same meters prepared by the railway dystopia Snowpiercer. This cinematography It is cold and aseptic and reflects the cruel effectiveness treated by the “spent” of society.
Through the appearance of Mickey, The audience witnesses a reality where the personality is The individual is diluted the functioning of a person’s colonial technique.
Out of science fiction
The story begins with a scientific fantasy concept, Mickey 17 In fact, it criticizes the alienation of the work Hyperproductive societies.
The metaphor is clear: in a system that treat people as renewable sources, What do you really mean to be human?
This film This question is not just asking, but explore with a feeling of acidic humor, However, this does not minimize the violence of the subject.
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Pattinson He shows an action that balances the deficit with mockery. Her Mickey It is a character that challenges the rules of a world that is both a victim and a chaos agent.
The secondary casting incorporated Ruffalo y Steven Yeun, This dynamic, which represents different relations in front of the system, is concentrated in these dynamic figures.
The new critique of the filmmaker
Mickey 17 cIs one more ability Bong Joon-ho for Overcome the genres and turn each story into a person’s investigation.
The film is not so fabulous Parasites, Not explosive as Snowpiercer, This narrative strain is able to provide intrigue, satire and existentialism.
With a story that creates more questions than a different directions and answers film It turns out as one of the most provocative proposals of the 2025 cinema.
It’s just a science fiction tape, not a warning hidden as fun: in a world where efficiency is everything, how much to stop being Invaluable?
You knew what was …?
- Before being a director, Bord Joon-Ho learned the sociology at the University of YaSei.
- This formation has allowed them to draw a deep understanding of social dynamics and class struggles in his films.
- During the scene of the University, he was an active member of student movements and protests that fight for democracy in South Korea.
- These experiments affected the critical vision of society reflected in his filmography.
A clone. A mission. A fate that challenges the limits of humanity
Mikey 17 is not just a movie, but an epic journey to those who are unknown. When a one-time employee reveals that life is more valuable than the saying, everything changes. Will you survive to tell your story? pic.twitter.com/k5uywr2cw6
– South Mall (@malldelsur) 6 March 2025
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